Diptic circle frame1/2/2024 The release of iOS5 with modest photo editing tools (rotating, cropping, red eye, and the mysterious magic wand) eliminated the need for a few of Photoshop Express’s features, but it’s still good for tweaking exposure or saturation. Need to do a quick touch-up on your photo? Photoshop Express doesn’t require any fancy Adobe skills-just your fingertip. Pro tip: Others need the app to view the synth as a 360 ° experience on their phones-otherwise the photo just looks like a flattened globe. Use it for your own shots, or explore other parts of the world with photosynths uploaded by users. Click on the heart at the bottom to find photos for download (from Popular, Feed, Yours, Liked, and Search).Įver hiked to the top of a mountain and tried in vain to take a panoramic photo with your phone? Or wanted to take pics of the room you’re renting out in your apartment? Tough, right? Luckily, Microsoft created Photosynth-a user-friendly app for taking comprehensive photos of 3D spaces. Pro tip: This app isn’t the most intuitive to use. But, gone are the days of cropping an iPhone screenshot-just get Instake, which allows you to download any photo from Instagram right onto your phone. Of course, anyone who uses Instagram has probably experienced the frustration that comes from trying to download other users’ photos. Pro tip: For even cooler filter effects, try “layering” filters-Instagram a photo that’s already been filtered. Not only does the app offer some of the best vintage-esque photo filters out there, its Twitter-style feed of photos lets you follow other users. The boss of the photo app mafia, Instagram revolutionized the way people take photos with their iPhones. Because, let’s face it: You can’t fit a digital camera in your skinny jeans.ġ. And if you’re a photophile too, here are my picks for the absolute best (and absolutely free) photo apps for your mobile phone. I’m aware that by taking this approach I may create art that is uncomfortable at times and maybe not well accepted or even understand at all, but for me that is a risk worth taken, what drives me is not the aim to indulge in the creation of beautiful, pleasing objects but to add something new to the world, a new perspective, to convey a message of UNTAPPED POSSIBILITY, of HOPE that there is something more, that what we know and understand as humans at this point in our history, is so primitive compared to what is really out there.I’m ordaining 2012 the Year of the Photograph. In a weird way I’ve always being able to see in a very clear way the structure of paradigms, and have a hard time understanding how people fall so easily for them, and all that they miss when they do so. As an individual I’ve never felt the need to constraint myself to what is expected or accepted. The way I see it, is that if I’ve being given the opportunity to be creator, why don’t take it and truly CREATE! Create new life forms, new worlds, new textures, new feelings and perceptions. I don’t find any pleasure in representing things that are already in the world, human figure, portraits landscapes etc. The manifestation of this internal restlessness as a physical expression has been the birth of a new life form, a world that exists in isolation from everyday boredom, a doorway that connects me to a different dimension, through painting. This collective blindness strikes me and makes me search for a way out, a way of establishing new patterns of thought and perception. I think this narrow perspective forces us to function from a numbed level of consciousness, as consumer robots, caught up in drama, petty fights, worries about the future and constant fear, unable to move forward to a better and more evolved level of existence. From an early age we are programmed to understand our world from a certain angle and we live build our reality from that solely point, without questioning it’s veracity, or effectiveness, simply assuming it as an absolute truth. I have the firm believe that we are more tan what our believe system allow us to comprehend. I’m always looking for ways of defying the paradigms set upon me regarding ethnicity, place of birth, gender, physical appearance, social status and age. ARTIST STATEMENT Mine has been a continue struggle for reinventing my reality, a constant resistance to the indoctrination induced by society and my time in history.
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